Subcriminal – Dragon EP [X-AMNT]

Regular readers will probably already have noticed that while we cover a bit of everything here at DNB Dojo, we’re generally not a fan of the more jump-up/up-front end of the sound. Every now and then though we hear something drawing on that energy which is too good not to shout about…and that’s exactly what we found on the new Subcriminal EP!

Released a few days ago via Bristol imprint X-AMNT, the exuberant style on show here is both refreshing and fairly unique, ignoring the often po-faced aesthetic of dark and moody D&B in favour of an uplifting and effervescent focus on melody. Make no mistake though, these aren’t cookie-cutter liquid rollers either, and therein lies their unique appeal.

Clearly drawing on influences from outside of D&B (if we had to guess we’d say future garage and videogame soundtracks), Subcriminal is carving his own niche with this one. The EP delivers dancefloor focused stompage on Dragon Egg and Incubator, and melodic joy via Flying Dragon and Movie. We’ve had this on heavy rotation here at Dojo HQ and we suggest you do too – check it out below and hit up the usual digital outlets to buy or stream right now.

Evolved – Encounter 001

When three labels from three countries join forces for a new series of releases you know you’re in for something special. Enter T3K, Sine Function and Hanzom, as they unite for the Encounter series. With three labels collaborating on the release it seems appropriate that the music itself is also a collaborative venture – Evolved sees four producers from Brussels pooling their talents, and thus far the results have been impressive, not least their recent EP for Delta9 Recordings.

On this release the Evolved gang are flexing their creative muscles to create some finely sharpened, futuristic D&B cuts. The influence of the harder-edged neurofunk sound is audible here in the sound design and percussion but the overall aesthetic is one of restraint; detailed atmospheres have largely been prioritised over brutalising basslines.

The result is three detailed, enthralling tracks taking in different styles; Brainless delivers a dark and ominous roller, while Intuition goes deeper, serving up futuristic android soul against sharpened percussive presence. The Cure rounds things out with a menacing halftime swagger, keeping the atmosphere but adding a hint of hip-hop swing.

Overall this is a powerful statement of intent and some of the most interesting music we’ve heard so far this year, combining technicality with soul and depth. We look forward to hearing more from Evolved and more from Encounter…in the meantime Encounter 001 is available right now via digital stores and streaming.

Sleepnet – Angel Blade [Vision]

Since the late 2019 announcement that Noisia would be parting ways as a creative project, neurofunk fans have been waiting with anticipation to see what new projects might emerge from the trio…and we may just have heard the first music from one or more of them. All we know for sure about the mysterious Sleepnet so far is that their first track is coming out on Vision, though the internet rumour mill is already churning with many suggesting the project is a collaboration between Noisia’s Nik and fellow Vision artist Former.

Whoever might be behind the project, the first track certainly bears the hallmarks of the Vision sound; intricate sound designs build tension on the intro before releasing into crunchy breakbeats and growling reese basses, though interestingly Angel Blade doesn’t feel like it’s been primed for the dancefloor as much as the home listening environment.

We’ll certainly be keeping our eyes peeled for more details (and more music) from Sleepnet…for now you can find Angel Blade at digital stores and streaming services.

Redpine & Solo – Citizen EP [Studio Rockers]

New material from Redpine & Solo is always a welcome sight in the Dojo inbox, and their latest work for Studio Rockers sees them on top form with a varied selection of styles and tempos.

Ranging from deep moody D&B on Citizen, through jazzy 160 explorations on the beautiful Re-Mind, into the industrial jungle darkness of Zoom Out (we’re guessing the guys aren’t big fans of video chat) and finishing with the serene ambient jam Nowhere, Sam and John are flexing their musical muscles to great effect here, and proving that D&B and Jungle are the framework within which many different musical ideas can be explored.

Citizen is out now via Studio Rockers – hit up Bandcamp to grab a copy.

San – Subject 9 [Rua Sound]

Rua Sound land with their tenth release this month and it comes from mystery artist San – described by the press release as “the jungle alias of a Bristol based techno producer”. Not sure if this will become the next Dawn Wall style D&B whodunnit, but in the meantime we have a pinch of intrigue, and a cracking new EP!

Subject 9 is certainly channelling classic jungle and drumfunk influences, but with a modern level of complexity that certainly doesn’t feel retro. Think of the atmospherics of Andy Skopes, the breakbeat intricacy of dgoHn and a pinch of Source Direct and you’re halfway there…eerie breakbeat jazz with hordes of character. We’ll let the music do the rest of the talking on this one; check out the clips below and hit up the Rua Bandcamp to grab the EP on vinyl or digital right now!

Gydra – Snake Monastery [Eatbrain]

Russian neurofunk badboys Gydra come of age this month with their debut LP for Eatbrain. With releases for basically every major neuro imprint in the scene since their arrival in 2015, they’ve already established themselves as a force to be reckoned with in high-octane, futuristic D&B primed for the dancefloor. So what fresh delights does Snake Monastery have in store?

The answer, in short, is a big old pile of aggy, bassline focused neuro weaponry. What elevates the selection here among the horde of neurofunk hitting the digital stores every day is the relentless focus on detail and groove – every snare slap, bassline growl and FX sweep has been primed and poised for perfect impact.

The Gydra boys have more than a knack for a catchy riff to boot; tracks like Lava Run and Stoning give the likes of The Upbeats and Cause4Concern a serious run for their money. Special shout out too to for the deliciously funky breakbeat vibes on Poison Track; taking things back to the rave roots with a neuro twist!

Anyone expecting subtlety or reservation definitely won’t find it here but if you need something to stomp around your kitchen to in these dark times then Gydra are delivering the goods in spades. Hit up your favourite digital store to grab the album right now, or check out the Neuropunk store for a rather fetching wooden-boxed USB edition.

Tokyo Prose – Gossamer EP [footnotes]

We live in deeply uncertain times right now, but thankfully some things can still be relied upon, and new material from Tokyo Prose falls firmly under that heading! New Zealand’s best liquid producer and one of a small handful across the scene that can legitimately be mentioned in the same breath as artists like Calibre…special stuff.

Sam’s latest work sees him making his debut on LSB’s footnotes imprint, which feels like an incredibly natural home for the deep, thoughtful music he produces; LSB is certainly a kindred spirit in this regard.

All four tracks are vintage Prose – if you’re expecting halftime curveballs or unlikely dark stompers you’ll likely be disappointed. What shouldn’t be disappointing is the effortless, hypnotic melodies on show, whether it’s the upbeat piano and jazz sax of Jacknife, the melancholy chords of Gossamer or the intricate progressions of Lights Down Low, a rare collaborative track with Satl.

Deft, subtle, joyous and thoughtful, Gossamer finds Tokyo Prose on top form, making unashamedly rolling and unashamedly emotional drum & bass. Can’t argue with that from where we’re standing! The EP is out now on vinyl and digital via the footnotes Bandcamp.

Molecular – Ultron / Dunkin [Ekou Recordings]

Having cut his teeth on some of Europe’s finest breeding ground imprints like Delta9 and Counterpoint, it’s no surprise that DLR has hand selected Molecular for his Sofa Sound imprint. This time though, we’re here to celebrate his latest single on London-based imprint Ekou Recordings.

The A-side Ultron combines Current Value style drum programming with eerie pads, stabs and strings, and even features a halftime switch up towards the end of the track. Over on the flip, Dunkin features a funky baseline with deft uses of reverb, stabs and vocals.

The Portuguese producer is on a steep trajectory now under the wing of one the finest producers of the 2010s. These two tracks may yet become significant formative material for a star of the 2020s. Hit up the EKOU Bandcamp to grab a copy right now!

Written by James Austin

John Frusciante – Maya [Timesig]

John Frusciante definitely isn’t a name that many people would primarily associate with electronic music, given that he found fame as the guitarist of one of the biggest rock bands in the world – Red Hot Chili Peppers. From that perspective, this month’s release of a jungle album via the Timesig imprint (run by Venetian Snares) might seem like a surprising development, but it’s actually the logical progression of a musical direction a decade in the making.

Following his departure from RHCP in 2009, Frusciante became increasingly disinterested in traditional songwriting and refocused his efforts on electronic production and engineering. In the intervening decade he has given the world a slew of works spanning genres under different aliases – exploring synth pop, producing hip-hop for Wu-Tang affiliates Black Knights, and more recently releasing acid house and IDM under his Trickfinger alias.

All of which brings us to Maya, a body of work which he describes as being heavily influenced by 90s breakbeat hardcore and jungle. Thankfully though this isn’t a mere copycatting attempt; while you can hear a clear reverence for some of the genre hallmarks via some knowing sampling, there’s also a breadth of influences blended into the music, held together by the common thread of jungle drum programming.

The result is a collection of tracks that spans from mellow and beautiful, through darkly funky and into outright aggressive breakbeats assaults on the senses. This is jungle made by someone who appreciates jungle, but also appreciates so many other forms and styles of music; a refreshing antidote to the sometimes narrow echo-chamber of modern D&B production. If you’re looking for DJ friendly club tunes this definitely isn’t that, but if you’re willing to explore something a bit less conventional then the LP is a thoroughly rewarding listen.

Maya is out now on vinyl, CD and digital. Hit up Bandcamp or your favourite retailer to grab it now.

Machinedrum – A View of U [Ninja Tune]

Machinedrum’s evolution over the years has been fascinating to follow. Active now for nearly 20 years, Travis Stewart’s musical journey has taken in most shades of what you might consider “bass” music; low-end weight and syncopated beats run throughout, but style, tempo and tone have varied wildly across many releases.

While previous releases have certainly flirted into the realms of 170, notably Vapor City (and some of the excellent remixes around that release from the likes of Om Unit), this is possibly the most “drum & bass” album we’ve heard yet from Machinedrum. Wait 4 U delivers silky rolling D&B soul, while Sleepy Pietro combines yearning piano with skittering drumfunk drum rhythms. We’re also treated to an effortlessly beautiful liquid roller in 1000 Miles with none other than Sub Focus on board in the studio.

Other tracks take in halftime, hip-hop, funk and plenty more for a colourful ride with plenty of ups and downs, and the album has been on heavy rotation here at Dojo HQ as a result; equal parts boom and beauty. A View of U is out now everywhere – check the clips below and hit this link for a vast selection of stores.