Akuratyde – Embrace EP [Blu Mar Ten Music]

After a short hiatus, Blu Mar Ten Music are back with more effortlessly beautiful music, this time from US producer Akuratyde. The Embrace EP occupies the same sort of musical space as artists like Kiyoko or Ulrich Schnauss; glistening pads, an air of melancholy and the influence of ambient and IDM characterise the recordings far more than the influence of conventional D&B, particularly on the EP’s first two tracks. Embrace and Lights In My Eyes both relegate beats and bass to a modest supporting role behind the swathes of reverb drenched chords and lush sonic imagery, creating a sense of distance and longing.

The second half of the EP sees a slight shift towards more beat driven compositions, with Time Left Behind exploring the halftime tempo with crisp but understated percussion under a warm blanket of sub bass and blissful echoing melodies. Sway closes the EP out with what could well be a love letter to Seba or Blu Mar Ten themselves, the release’s most “D&B” track. As usual Blu Mar Ten Music are right on the pulse, bringing us fantastically creative work from a new name we’ll certainly be keeping an eye on in future! Check out the clips below and hit up the Blu Mar Ten Bandcamp to grab a copy right now.

Quentin Hiatus – I’m Neither Quentin Nor Hiatus [Free Love Digi]

Quentin Hiatus’ work has been skirting the boundaries of Drum & Bass for some time now, blending hip-hop, halftime D&B, footwork and who knows what else to craft a style which is almost impossible to pin down or pigeon hole. His latest mini LP, I’m Neither Quentin Nor Hiatus Vol. 1, drops on his own Free Love Digi imprint next month, and it features some of his most exciting aural experiments to date.

Let’s be clear straight away; this album isn’t drum & bass by any conventional definition. The influence of 20 years of jungle and its offshoots undeniably informs Quentin’s music, but this latest release features few if any of the genre’s standard tropes beyond a shared tempo region. Purists expecting 2-step rhythms or amen breaks may well be disappointed, but open-minded listeners should find themselves drawn into a rich tapestry of sounds and feelings unconstrained by the more formulaic standards of electronic music.

The LP features a wide range of vibes across its seven tracks, ranging from the funky halftime hip-hop of Wait Right Here to the threatening techno infused sounds of 56 and out into the semi-ambient synth ramblings of Kuchi Kopi. While some of the tracks feel like they could move a few dancing feet, for the most part this feels like a man trying (and indeed succeeding) in converting his inner thoughts to music without much concern for how the end product will fit into anyone else’s expectations.

Abstract, beautiful and challenging, this is an LP that may well be overlooked in the sea of more easily consumable DJ friendly-fare, which would be a great shame. Expand your horizons via the clips below, and look out for the LP dropping from November 11th via all good digital stores.

Theme – Scenes 1-4 EP [Samurai Red Seal]

Berlin-based producer Theme returns to Samurai Music after a popular release on their Horo imprint with a new EP blending halftime D&B with elements of dub techno, and the results are pretty stunning. Shimmering synth progressions, reverb drenched snares and a muted yet euphoric vibe characterise the tunes, and the compositions really draw you into the abstract world of their creator via a hypnotic, enveloping array of sonics.

While words like “hypnotic” and “meditation” get thrown around willy-nilly when discussing electronica that draws on ambience or floaty synths, these descriptions seem entirely fitting here. What exactly Theme is meditating on via these tracks is probably known only to him, but the body of work certainly carries a serene, thoughtful aesthetic which isn’t common in drum & bass…but then to many this isn’t drum & bass, and isn’t really trying to be either. The overall tone certainly shares more in common with dub techno, though the tempo and drum structures give away the influence of 85/170BPM music, call it what you will.

Pointless chin stroking regarding “true genre” aside, Scenes 1-4 is a breathtaking selection of tracks and one of the best attempts we’ve heard recently at the kind of musical zen producers of Theme’s ilk endeavour to create. Check out the clips below and lose yourself in it all…then head over to the Samurai Store and grab a copy on vinyl or digital, out right now.

If you want more from Theme, be sure to check out his mix for the Samurai Podcast below; 58 minutes of dubbed out halftime selections.

Alix Perez & EPROM – Shades EP [Alpha Pup]

Alix Perez’s latest collaboration with US bass-slinger EPROM sees him completely eschewing the D&B template in favour of lower tempo shenanigans, but if you’re a fan of bass heavy electronica with a hefty dash of hip-hop swagger then you should definitely give the Shades EP a listen.

Dropping today on LA imprint Alpha Pup, the four tracks feature some serious low end weight and a head nod inducing groove that is just irresistible. Check out possibly the EP’s biggest cut, Chiron, below and hit up iTunes to grab the EP now; vinyl should follow shortly.

The Levels – The Levels EP

Long time collaborators Loxy & Resound have teamed up with vocalist Alia Fresco to form a new project called The Levels, and their first selection of work shows plenty of interesting ideas. Blending hints of soul and R&B with years of beat making expertise and a dash of pop sensibilities, the trio could yet turn out to be the Autonomic legacy’s Magnetic Man.

Great use is made of Fresco’s voice, leading the tracks nicely but allowing the music to breathe and fill the remaining space. Perhaps the best example of this comes on We Could Be, fittingly made in collaboration with dBridge. The EP closes out with a more conventional D&B beat on Right Here, giving a nod to Loxy & Resound’s musical roots, but to be honest the slower tempo productions are far more interesting.

The EP is out right now via The Levels bandcamp; check out the tracks below and keep your eyes peeled for more material from the trio very soon.

Joe Nebula & Ms Breeze X – Index Limited [Back2You Recordings]

Joe Nebula’s Back2You imprint returns with another release from the man himself. There’s a respectable liquid roller on the flip in the form of One Body but the real star here is the A side, Index Limited. Shades of liquid D&B, downtempo electronica and the much vaunted Autonomic sound combine on a lush, spacey halftime number which sounds more like a movie soundtrack than anything aimed at the dancefloor.

The release is available for the price of a Soundcloud follow over at Stereoload. Seems fair to us!

Stray – Paradise EP [Exit Records]

Stray is that most rare of beasts; a producer who gets better and more innovative as he advances in years, rather than settling into a comfort zone and churning out the releases. His latest EP for Exit Records finds his work in rude health, with seven new tracks spanning hip-hop, D&B and electronica.

Paradise opens things up with a big, slouching slice of bassy hip-hop which those of you who’ve caught Stray or Ivy Lab recently may well recognise. The groaningly bassy Walkonby and cheekily funky Movements continue the 85BPM hip-hop trend to great effect; it’s a style that Stray has clearly become both comfortable with and adept at over his last few releases both solo and with Ivy Lab.

Queen sees the tempo switch up for the EPs only straight D&B affair, an enjoyable little roller with plenty more of those signature vocal cutups among the soft synths and crisp breaks. Without U moves things in a jungle/footwork direction with big chunky breaks and hints of dub thrown into the mix, before Branflakes drops things back to the hip-hop swagger once again with massive punchy sub and interesting percussion.

Last but not least Dizzy provides a perfect little outro of mellow downtempo, with soft jazz and funk licks set to loose breaks. Blissful stuff. Essential listening once again; check out the clips below and hit up the Exit Store to grab this one on vinyl or digital now.

Screw3000 – Nexture [Beat Machine]

Beat Machine return with another top notch release from an artist pushing the electronic sound in exciting new directions at the fringes of D&B, Footwork and Hip-hop. The beats on display here are almost impossible to pigeonhole; swinging from warped R&B and LA Bass to Trap and Footwork and taking in all kinds of influences on the way, this is quite the melting pot of sonic flavours.

Highlights for us at the Dojo came on the short and sweet footwork shenanigans of Lookin Good (those delicious hat/snare rolls), Dead Fingaz‘ swaggering bass and weird’n’wonderful sampling, and the helter skelter junglism of Ticklish’s remix of Manual. If you like your beats forward thinking you should definitely check this one out…seriously lush synth work and a truly unique style throughout.

Unfortunately you can only hear a single track for the moment, so have a listen to When The Night Is Over below and hit up the Beat Machine Bandcamp to preorder the EP now – it drops on vinyl and digital from May 21st.

KOAN Sound – Forgotten Myths

Anyone who keeps an eye on the wider bass music scene should already be familiar with KOAN Sound – the Bristol-based duo have gained fairly widespread acclaim for their dubstep, glitch-hop and other lower-tempo material on Skrillex’s OWSLA label, Inspected Records and beyond.

Their latest release sees them concentrating on the 170BPM sound more than usual, with two of the four tracks playing with the D&B template. Strike hits down with intricate drum programming around a halftime kick/snare rhythm and plenty of the duo’s trademark squelchy bass, while Forgotten Myths goes full roll after a pretty epic atmospheric build up.

Elsewhere on the EP we’re treated to lush, melodic glitch-hop on Sentient and soft, almost ambient tones set to rolling 140BPM breakbeats on View From Above. Overall it’s a top notch EP, and best of all you can grab it on a “pay what you like” basis from their Bandcamp. Check out the tracks below and grab it right now!

Marso & Gala – Promise / Monochrome [Blu Mar Ten Music]

Blu Mar Ten welcome a pair of fresh new talents to their ever expanding roster with a new single from Siberian duo Marso & Gala. Promise kicks things off with massive, sweeping, Vangelis-style synths that lead an airy composition set at 170BPM but bearing little in common with most D&B. Gala’s vocals drift effortlessly over the mix, icing a lush cake drenched in ambience and style.

Monochrome drops the tempo to dubstep territory but once again eschews genre tropes in favour of more shimmering melodies and atmospherics. Gala takes a slightly more prominent role this time, with warmer bass driving the tune onwards under her rich, soaring, reverb-drenched vocals. Check out the clips below and look for this at your favourite digital store now.