Mistabishi – Safari [Noh Music]

I’ve never been hugely enamoured with Mistabishi‘s drum & bass output; most of it fell a bit too close to the jump-up bandwagon for my taste, so when his first release of 2013 arrived in the inbox I was fully expecting to bin it and swiftly move onto other things. How wrong I was!

It seems the Hackney-based producer has moved off and onto more interesting things, and his latest output merges soca, dancehall, UK funky and good old fashioned drum & bass to excellent effect. The rhythms bring to mind the recent explorations of Dawn Day Night, though the tone of the compositions is much different (and distinctly less juke/ghetto-tech influenced).

The tracks ultimately sound like a fusion of dirty half-step drum & bass and UK funky or soca, drawing the basslines from the former and the drum lines from the latter. Ultimately the music is full of the darkness and energy that made jungle and early drum & bass so dynamic and exciting, mixed with a diverse array of other influences. The style is doubtless to prove almost as “marmite” as the explosion of footwork…so check it out for yourself. Previews and pre-order up at Surus or iTunes.

Jubei & Flowdan – Say Nothin (Rockwell Remix) [Razors Edge]

Metalheadz are back with another release on their limited single track Razors Edge imprint, and this time it’s Rockwell stepping up to remix Jubei & Flowdan’s Say Nothin. Rockwell takes the track in a pretty jukey direction, with frantic syncopation along a half-time-ish beat pattern. Low down and dirty vibes!

Dawn Day Night EP [Astrophonica]

So just who is the mysterious Dawn Day Night? Following his initial appearance on Fracture’s Get Busy the mysterious masked (and possibly undead) artist has thrown down at Sun & Bass festival, leaked a rather bizarre rider to Resident Advisor, and is now preparing to release his debut EP on Fracture & Neptune’s Astrophonica label. Given the close ties to Fracture speculation abounds that the two are in fact one and the same man…thusfar we have no confirmation, though the scenario seems to bear more than a passing resemblance to the recent Phillip D. Kick project (though with more facepaint).

The identity of the masked man aside, the EP is an intriguing fusion of ghettotech, jungle, breaks, trap and juke, with super precise syncopated percussion and tight sub lines accompanying some choice samples (my favourite being the cry of “Big Booty Girlllllllls”). Check out the previews, and look out for the EP on vinyl and digital, out tomorrow at all good stores.