Dom & Roland – Last Refuge of a Scoundrel [Metalheadz]

Where do you go when you’ve been a mainstay of the D&B scene for twenty years, with six albums already under your belt and a back catalogue spanning Moving Shadow, Renegade Hardware, your own immensely successful imprint and plenty more?

If your name is Dominic Angas aka Dom & Roland, you head into the studio and write possibly your best album yet for none other than the mighty Metalheadz. As one of few labels with both the pedigree and the reputation to match Dom himself, we can’t think of a more perfect home for Dom’s work, and anyone who’s heard Goldie hyping the album over the last year will know they feel exactly the same way.

There’s always the risk with any album from a producer this established that the results will prove either too far from their style or too close to it, but thankfully the line trodden on the enigmatically titled Last Refuge of a Scoundrel sits perfectly within these boundaries; recognisably Dom, but pushing his style in new and intriguing directions. Those new directions are found most prominently on vocal tracks Sacrifice and Sirens Song, featuring Natalie Duncan and Robert Manos respectively. Both tracks blend Dom’s talent for heavy hitting, detailed percussion with a softer and more melodic side lent from the immensely talented singers he’s recruited, and they make a welcome change from the instrumentals of the rest of the LP.

That’s not to say in the slightest that said instrumentals become tedious; from classic Dom smashers like Tone Poem, Steam and Hive collab DMT through the hip-hop infused vibe of King of the Hustlers and out into more playful tracks like A New Renegade, there’s plenty of variety and every track is presented with that match of precision and scuzz that makes the Metalheadz output some of the best in the scene. The layers of drum distortion and bassline growl on even the lighter tracks give this a punky edge that ultra-clean modern mixdowns so often lack, and that’s just the icing on a very, very delicious cake. Check out the clips below and hit up the ‘headz store to grab the LP on vinyl, CD or digital now.

Kimyan Law – Run Ames / Eclairage [Blu Mar Ten Music]

Blu Mar Ten Music present the debut single from 19 year old talent Kimyan Law, a producer with a talent for evocative, understated beats that have a hint of the cinematic to them. The tracks represent the first glimpse of his Coeur Calme LP, due next month.

Run Ames sees the producer teaming up with vocalist Robert Manos on a stark, moody slice of D&B; insistent beats, simple but satisfying bass reverberations and Manos’ vocal take centre stage, with the merest hints of melody echoed over the mix. This “less is more” approach is a stark contrast to the usual “fill every frequency” maximalism of much of today’s electronica, and the overall effect has much more impact through the clever use of dynamic range.

Eclairage meanwhile brings together soft, natural percussion set to an unusual, lilting beat and paired with a pleasantly natural chiming melody. The track is drenched in reverb, lending it a distant melancholy, as though we’re hearing a faint reflection from some other place or time. Once again there’s a mastery of minimalism at work here, allowing the different elements of the track to breath, and the results are stunning. Check out the clips below and grab this one right now from the Blu Mar Ten store.

You can also find a “Slumber Session” mix from Kimyan below, featuring a mellow selection with tracks from Massive Attack, Burial, Stray and more.