When I think of my favourite jungle artists, Just Jungle (also known by his Genotype alias) easily etches out a spot in my mind thanks to his repertoire of solid tunes. One of his very best? Double Crisp, from 1994’s The Gold EP released by Trouble on Vinyl. D&B history sidenote; Trouble on Vinyl was run by Clayton Hines & Mark Hill, the same duo behind the legendary Renegade Hardware. It’s now owned and operated by fellow D&B originator DJ Kane.
Beginning with a radiant pad that cascades into a sensational flurry of amenism and genius programming, Double Crisp is a hallmark of Just Jungle’s production prowess. It cannot be understated how striking the drum cuts are on this classic. You also get a sense dub and dancehall’s momentous influence on jungle through the flavorful sampling that serves as a proper homage to part of the genre’s roots.
RMS and Dublic bring the jungle fiya on today’s exclusive! Dubwise guitar chords and old school chopped breaks all the way on this one…watch out for Inna Dub dropping alongside a selection of other RMS collabs on Inner City Dance’s Stereo One imprint, coming Mar 9thy at all good digital stores.
Russian producer limit lands in the premiere spotlight today with a slice of drumfunk. Channelling the largely forgotten sound of mid-2000s choppage pioneered by the likes of DJ Trax and Paradox, this one is all about the breaks…check it out and hit up the label Bandcamp to grab a copy from Nov 21st.
Toronto artist Stranjah (one quarter of new outfit Vortex) is in our premiere spotlight today with a track from his brand new Power LP. Bringing together gritty bass with a fearsome breakbeat assault, this one is pure jungle chaos! Ruffneck business! Out now via the Deviant Audio Bandcamp…get to getting.
Chopped up darkcore jungle from the depths of Germany on our latest premiere as No_Name returns to Krytika Productions with a slamming slice of breakbeat chaos called The Things We Left Behind. Ominous pads, growling bass hits and a frenzied assault of chopped breakbeats combine on a track that takes in the influence of techstep, old school jungle and breakcore. Sick! Check it out and look for the track dropping as part of the VA We Are Products EP on Monday.
We’re suckers for a bit of old school break chopping here at Dojo HQ so news that dgoHn would be returning to Love Love with more of his ruffneck jungle stylings was met with rapturous applause and jubilant celebration (not really, but we were pleased). Side-note: if you missed his rather excellent All The Fuckin As EPearlier this year then definitely go and give it a listen.
The Ralph EP sees dgoHn (pronounced “John”, apparently) treading a well-worn path of breakbeat manipulation, stopping short of the full on breakcore of artists like Venetian Snares but nonetheless injecting a fair bit more chaos into the drums than is to be found in most modern drum & bass. The attention to detail is palpable too; every edit, glitch, reverse and FX stab feels placed for maximal efficacy, keeping the listener engaged with an onslaught of unpredictable kicks, snares and hats for a beautifully anarchic rhythm.
Asides from the two dgoHn originals, the EP also features a tidy remix from Rephlex producer Jodey Kendrick, who twists the relatively light and playful tones of the title track into a darker and more ominous flex, playing with tempo on a glitched-up halftime intro before knocking into full-roll choppage later in the track.
Tasty business all round; fans of Paradox, Fanu and the higher end of the beat mangling craft should definitely give this one a listen. Check out the clips below and look for the release on vinyl and digital from Sep 30th; pre-orders up now at the Love Love bandcamp.
Fresh beats from Nucleus & Paradox are always gonna put a smile on our faces here at the Dojo; we just love a crusty old breakbeat and these guys are the masters of manipulation when it comes to those funky riddims.
Their latest work for Esoteric isn’t exactly breaking new ground; more honing their established artform, and honing it well. Ubiquity keeps the beats relatively minimal, layering them in between squelchy bass and old school pads for a warm slice of analogue depth.
Foundation ups the ante with more insistent percussion and light, jazzy chimes giving the tune that characteristic Paradox b-boy flavour. Wicked stuff! As usual you can find this via the Samurai Store with orders going out tomorrow; move fast as this will surely be gone before you know it!
Dojo favourites G.H.O.S.T are back with another EP on their own Goldman Records imprint and as usual the three man production team have poured their heart and soul into another finely crafted vinyl release. Blood Brother kicks things off with a crisp, rolling break set to crunchy bass and moody atmospheres; threatening without ever lurching into truly aggressive territory, this is spooky and unsettling in all the right ways.
The flipside takes things old school with some serious break chopping and ethereal padwork on the tough yet beautiful Brut. Fans of the natural funk breaks of 90s D&B should find plenty to enjoy here! Last but not least digital bonus track Structure hits home with a techy edge and more superbly crisp drums; those fills are unbelievably tasty. Check out the clips below and hit up the Goldman Bandcamp to grab the release on digital or strictly limited 12″, shipping out at the end of this week.
Italian duo Jazzatron are the team behind the latest release for Lifestyle Recordings, bringing a four track EP for the label’s 40th release. It’s difficult to pick between the tracks in many ways since all of them provide a nice balance between musical elements, mean basslines and super precise drum programming.
The Lie and Breakthrough certainly provide the EPs more dancefloor friendly tracks while Panatierre explores an interesting contrast between drumfunk-esque beats and atmospheres and aggressive distorted bass. Manuto rounds things off with a tasty selection of chopped up breaks. Check out the clips below and grab this from your favourite digital outlet now.