The Stairs EP [Slinkie Music]

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Nottingham label Slinkie Music caught our ear previously with Revaux’s Titan EP but the crew have been pretty quiet since then. Thankfully they’ve broken their silence with a brand new EP featuring three new tracks from bright new producers.

Revaux leads the EP with the grimey vibes of Peeper. There’s some serious menace on this track, not least in the distorted amens found in the second half of the tune. Gunfingers at the ready!

The rest of the EP features worthy house and techno flavours from Elabor8 and Pender Road, the latter providing a cheeky slab of acid influenced techno that definitely floats our boat. Check out the clips below and grab this one from your favourite digital outlet right now.

Digital – Catch A Fire EP [Function Records]

The rejuvenation of Function Records continues with another fresh EP from label owner Digital (who has been more than prolific recently with an absolute slew of material landing at labels all across the scene). The theme across the tracks this time definitely seems to be dub and jungle, with Rejection and Response-collab Light Years both harnessing classic jungle breaks for their groove and bringing an old school vibe to the table.

The titular Catch A Fire meanwhile drops the tempo for a dub reggae skank out that’s so spaced out it might as well be in orbit. If you’ve enjoyed Morphy’s outings as Dubmonger this last one should float your boat for sure. Check out the clips below and look out for the release dropping on vinyl and digital mid-May; pre-orders are up now at the Function website.

Random Movement – Sleazy Bitch EP [Fokuz Recordings]

Random Movement brings his effortlessly smooth styles to Fokuz Recordings, and as usual from the ginger-curled American maestro the vibes are perfect! I Stayed Around kicks things off with a crisp break and a cheeky little guitar line for a tune that just oozes class; we can see this warming up a few rooms nicely early in the evening.

On though, to the main event on this EP, the titular Sleazy Bitch. This tune is one of the sexiest slices of rolling D&B we’ve heard in a while, and we’re not talking about the kind of maximum cheese on toast that has the MC yelling “this one for da ladieeeeezzz”; sultry vocals over a bouncy beat and a nice selection of melodic flourishes make for a track that should get the party people in the mood for love. If it were possible to bump & grind at 170BPM, this tune would inspire it.

Last but by no means least, Random Movement delivers a weightier than usual remix of Blockwork’s Morning Music, retaining his usual melodic touch but bringing some additional bass pressure to the party with a sprinkling of jazz for good measure. Worthy stuff all round! Check out the clips below and look for this one on vinyl and digital from May 11th.

Signs – Naked Lunch EP [Eatbrain]

If you’re familiar with Signs or Eatbrain you should know exactly what to expect here; grotty neurofunk riddims a plenty! Interzone and Percuss provide the stompers while Black Meat and Vermin go a little deeper, exploring less rolling drum patterns and atmospheres.

Eatbrain boss Jade gets in on the action too with a massive remix of Vermin, flipping the track on it’s head for a peak-time dancefloor workout. Check out the clips below and grab the EP from Beatport right now, with full release to follow from May 18th.

Bensley – Next Generation [RAM Records]

It’s rare for next artists to live up to the hype these days, and the hype surrounding Bensley has been considerable. After signing exclusively to RAM in a shower of media buzz (despite having released precisely zero tracks at that point), all went very quiet on the Bensley front for some time, until February when Fandango gave us our first taste of the man’s talents.

The wait is now over and Bensley’s debut LP Next Generation has been with us for a couple of weeks, and this reviewer believes it is worthy of the hype. The whole sound the young Canadian has carved on the record manages to avoid the traditional D&B sub-genre pigeon-holes aptly; it has the RAM Records polish, but he’s not trying to be the next DC Breaks, and it has a strong sense of melody without sounding like the plethora of genre liquid to be found on Hospital or Fokuz.

What then, makes the album special? The clear influence of IDM and Ambient, for a start; everything about the chord progressions, pad work and song structure shows a man who loves D&B but also listens to plenty of more diverse electronic music. The soaring synth lead of Fool’s Gold (paired with equally soaring guitar) and the early µ-Ziq-esque chimings of Rain Dance are but two examples on an album that has plenty more.

Better still, this is an LP which ignores any temptation for radio-friendly singles or dancefloor-friendly “wait for the drop” tracks. There isn’t a vocalist in sight, and many of the beat patterns share more in common with downtempo than D&B. Even on the more upbeat tracks like Manta or Aftermath there’s the strong sense that this has been designed as much for your armchair as the club, though we’re willing to bet both of those tracks would move a crowd.

It’s rare to hear true innovation in any style of music these days, and while the elements of Bensley’s style can easily be traced back to their original sources he has configured them into a most pleasing sonic jigsaw that isn’t quite like anything else on the scene right now, and for that he should be applauded. Check out a mix of the album tracks below and hit up your favourite store to grab a copy now!

Dark Matter, Part 2 [Transmission Audio]

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Leeds-based label Transmission Audio’s 15th release provides the follow up to last year’s Dark Matter, Part 1 and sees Australian producer Xsetra returning to the Transmission roster alongside new recruits Stash.

As you’d expect by now the vibes are dark and techy all the way, with highlights coming on the rolling grime of Xsetra’s Cortes Bank and the appropriately vicious Belfast Tension from Stash. Check out the clips below and look for this one dropping from May 10th.

DNB Dojo Mix Series 14: Roklo

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Mayan Audio boss Roklo brings us an absolutely storming selection for the latest in our exclusive mix series! Mixed on 3 decks and stuffed to the brim with straight up dancefloor bangers from the likes of Neonlight, Fourward, Friction and DC Breaks, this one is not for the faint of heart. Expect big things from this man over the coming year, and be sure to check out his recent contribution to Mayan Audio’s Kalima EP.

Check out the mix via Soundcloud below or head to Mixcloud, Hearthis.at or iTunes to stream. You can also grab a download from Dropbox.

Neonlight & Wintermute – Influx
Fourward – Exile
The Prototypes – Pop It Off (feat. Mad Hed City)
Noisia & The Upbeats – Dustup
Dr Meaker – Freaks (feat. Cappo D & Sharlene Hector) [June Miller Remix]
Emperor & Mefjus – Void Main Void
Mindscape – Most Wanted (feat. Coppa)
State Of Mind – Bypass
Friction & Skream – Kingpin (Calyx & Teebee Remix)
Prolix – Transmission
Smooth – The Black Hole
Wilkinson – Dirty Love (feat. Talay Riley) [TC Remix]
DC Breaks – Gambino VIP
The Prodigy – Voodoo People (Pendulum Mix)
Neonlight – Heavy Bettie VIP
Skrillex – Ragga Bomb (feat. Ragga Twins) [Teddykillerz Remix]
Trei – Empires
Matrix & Futurebound – Glow Worm
Fourward – Countdown (feat. Kyza)
Kritix – Traction VIP
Neonlight & Wintermute – Insomnia
Friction & Dimension – Kinetic
Mind Vortex – Curve Ball
Hybris – Garbage Truck [Misanthrop Remix]
Mind Vortex – Bigger Than That (feat. Evil B)
Dimension – Crowd Reaction VIP
Dimension – Whip Slap
Friction & Prolix – Dark Moves
Frankee – Excalibur
Mind Vortex – Stand High (feat. Daniela)
Black Sun Empire, State of Mind & Pnc – Until the World Ends
Tchami – Promesses (feat. Kaleem Taylor) [Calyx & TeeBee Remix]
Must Die – Hellcat (Annix Remix)
Culture Shock – City Lights (feat. Bryn Christopher)

Philth – The Cosmos EP [Dispatch Recordings]

Philth is a producer who’s steadily been honing his craft, rising through the ranks of the D&B scene over the past few years. We’re big fans here at the Dojo and his latest release for Dispatch sees him at the top of his game with six techy new cuts including a couple of MC led affairs.

The Hunted opens the EP with quite a statement of intent; this is a growling, Jurassic Park sampling, Bredren collabing danger-bass-fest that is sure to do some serious damage to a few raver’s sanities!

Other highlights include the dutty, rolling vibes of Cosmos and the scuzzy politicised atmospheres of the P-Fine vocalised Greed, but to be quite honest the whole release is a big ol’ slam dunk from start to finish. Check out the clips below and hit up the Dispatch Store for a copy right now!

Lockjaw – Chasing Shadows / Ions [Vandal Records]

Vandal Records continue their relentless release schedule with a new single from Australian tech producer Lockjaw. The production quality on show here is more than ample evidence of just how far he’s come since early releases for Lifestyle and Mindstorm, with a ridiculous level of precision in the beats and bass.

Chasing Shadows keeps things punchy as hell with stacatto drum rhythms set to an equally stabby bass pattern and plenty of creepy atmospherics. Ions follows suit with more punishing bassy body-blows…in fact this single is so stabby it might as well be called “Knife Fight”! Check out the clips below and grab this one from your favourite digital store now!

Classic Track: Apex – Inner Space

Not long after the relaunch of Subtitles in 2010, Teebee’s label treated us to a fantastic track from one of my favourite producers, Rob Dickeson aka Apex. While I discovered Apex initially through his harder tech and neurofunk productions on Lifted Music (and earlier as one half of Unknown Error), I later fell in love with his more musical output which featured on Horizons and Hospital, and this gem is definitely up there with his best.

Inner Space explores lush, synthy ambience and remains downtempo until the second verse at which point that familiar, crisp D&B break kicks the track up a notch. The whole thing is just beautiful and unusually serene for even liquid D&B, and it’s a track I never get bored of hearing. Unfortunately this 12″ would prove to be one of his last before his apparent retirement sometime in 2012, and his output is much missed (by me at least). Check it out below and go look out a copy on vinyl or digital!